Ellsworth Kelly, Red Curve, 2006; Small Blue Curve, 2012.
IN THE PROJECT SPACE
September 19, 2019October 19, 2019
Claes Oldenburg, Thrown Ink Bottle with Fly and Dropped Quill, 1991; Rolling Collar and Tie, 1995; Picasso Cufflink, 1974; Soft Alphabet,1978; Sneaker Lace in Landscape-Gray,1991; Hard Times Bulb - Night, 1995; Hard Times Bulb - Day, 1995.
IN THE EAST GALLERY
September 19, 2019October 19, 2019
IN THE WEST GALLERY
May 16, 2019September 14, 2019

The exhibition spans fifty years of the artist’s creative output, and is installed in all three galleries, allowing for a comprehensive overview of Oldenburg’s printmaking and edition-sculpture projects made in collaboration with the majority of his publishers.

Ellsworth Kelly, Untitled (Red), 1988; Robert Rauschenberg, Borealis Shares II, 1990; Bellini #4, 1988; Elizabeth Murray, St. Marks (from the Metropolitan Series), 2005; Messin' Around from Sweetzer Suite, 2006.
IN THE EAST GALLERY
March 21, 2019May 11, 2019
Messin' Around Group Exhibition March 2019
IN THE WEST GALLERY
March 21, 2019April 30, 2019
Sophie Calle, Tapis de Fleurs, 2014; Vija Celmins, Night Sky 2 (Reversed), 2002; Untitled (Web 3), 2002; Robert Gober, Untitled, 2002; Ellsworth Kelly, Philodendron 1, 1984
IN THE EAST GALLERY
January 8, 2019March 16, 2019
Richard Tuttle, Nature Media/V, 2014; "For John Altoon", 2011; Looking for Love III, 2015
IN THE PROJECT SPACE
February 9, 2019March 16, 2019
John Baldessari, BEST MEN, 2018; ADAM WASN'T INTO IT, 2018; AND ONE SARDINE, 2018; BOSS, 2018; TRUFFLE BUTTER, 2018; YOGURT, 2018.
IN THE EAST GALLERY
Nine new screenprints
November 5, 2018January 5, 2019

Gemini G.E.L. at Joni Moisant Weyl is pleased to present nine new screenprints by John Baldessari titled Emoji Series, on view from November 8th through January 5th. Language and communication through imagery is a longtime interest for Baldessari, as he focuses our attention on the disjunction between image, words, and their conventional meanings and usages. Emojis, small icons increasingly used as a form of electronic communication, are predominantly used in everyday digital speech by millennials.

Analia Saban, Wooden Floor on Wood (One-Point Perspective), 2017; Wooden Floor on Wood (Vertical), 2017; Wooden Floor on Wood (Horizontal), 2017.
IN THE PROJECT SPACE
September 22, 2018November 3, 2018
Richard Serra, Double Rift V, 2014; Equal I, 2018; Equal II, 2018; Equal III, 2018.
IN THE WEST GALLERY
September 22, 2018November 3, 2018

Equals is a series of eight “wall-hangings” comprised of two sheets of handmade paper covered edge-to-edge with multiple layers of Paintstik and mounted directly to the wall with an invisible cleat system. Serra’s prints have always had a vital, integral relationship to his 3-dimensional work, as he will typically spend many hours sketching in the presence of his installed sculptures, and his close observations of them inform his larger-scale works on paper.

IN THE WEST GALLERY
Selected works by John Baldessari, Jonathan Borofsky, Sophie Calle, Ann Hamilton, David Hammons, Bruce Nauman, Robert Rauschenberg, Man Ray, Ed Ruscha, Richard Serra
May 9, 2018September 15, 2018

Gemini G.E.L. at Joni Moisant Weyl is pleased to announce a summer-long exhibition titled “Photographic Impressions.” While conceived and installed as a single presentation, the exhibition includes two distinct components: photographs taken by Sidney B. Felsen, the co-founder of Gemini G.E.L., complimented by an exhibition of limited editions printed and published by Gemini that have photography as their predominant element.

IN THE EAST GALLERY
Featuring Photographs by Sidney B. Felsen
May 9, 2018September 15, 2018

Gemini G.E.L. at Joni Moisant Weyl is pleased to announce a summer-long exhibition titled “Photographic Impressions.” While conceived and installed as a single presentation, the exhibition includes two distinct components: photographs taken by Sidney B. Felsen, the co-founder of Gemini G.E.L., complimented by an exhibition of limited editions printed and published by Gemini that have photography as their predominant element.

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