Julie Mehretu-A Decade of Printmaking at Gemini GEL-installation view
March 25, 2021September 18, 2021

From the artist's first drypoint etching, created in 2008 to raise funds for Senator Obama's presidential campaign, to monumental multi-colored aquatints, this survey presents every edition that Mehretu has created in collaboration with Gemini G.E.L., the renowned artists' workshop.

Analia Saban, Flowchart (Mountain), 2020; Flowchart (Leaves), 2020.
IN THE PROJECT SPACE
Six New Etchings
November 14, 2020April 17, 2021

Gemini G.E.L. at Joni Moisant Weyl is pleased to present Gemini’s third collaboration with Los Angeles based artist Analia Saban featuring six new etchings. In this latest series, the artist delves into more conceptual ideas, considering the steps involved in creating and presenting an edition. The resulting works call attention to these norms in a thoughtful and refreshing way.

John Baldessari, Selected Works 2021 (installation view)
January 5, 2021March 20, 2021
Richard Serra, Still From 'Hand Catching Lead', 2009; Finally Finished II, 2017; Paths and Edges #12, 2007; Paths and Edges #11, 2007; Paths and Edges #8, 2007; Paths and Edges #7, 2007.
IN THE WEST GALLERY
September 8, 2020December 19, 2020
Robert Rauschenberg, FENCE, 1992
November 26, 2020December 5, 2020

This year's Holiday Season is unprecedented for more reasons than one, and we hope yours will be spent with friends and loved ones in whatever way you're able to. Joni and Sidney remain in good spirits out west, while Chris and Elizabeth hold down the gallery fort in New York. The day after Thanksgiving, notoriously known as "Black Friday", is usually relegated to an overwhelming slew of ads, bargains and general shopping mayhem.

Jasper Johns, Untitled, 1998; Roy Lichtenstein, Bedroom, 1991.
IN THE EAST GALLERY
February 6, 2020August 28, 2020

Gemini G.E.L. at Joni Moisant Weyl is pleased to present Under One Roof, an exhibition about commodification, domesticity, private and public selves, and the blurred boundary between furniture design and art. The artists in this show question the meaning of our relationship to interior environments as well as household objects, and investigating these relationships reveal the ‘house’ as both a lived experience and a vehicle for abstract thought.

Richard Serra, Composite I, 2019; Composite III,2019; Composite IV, 2019; Composite V, 2019; Composite VI, 2019; Composite VII, 2019.
IN THE EAST GALLERY
October 17, 2019February 1, 2020

Gemini G.E.L. at Joni Moisant Weyl is pleased to present a new series of limited edition prints by Richard Serra combining etching and screenprinting. Composites are created by embracing the physical relationship between what happens when a deeply etched copper plate is printed onto handmade Japanese paper followed by the opaque viscosity of Paintstik being pushed through a coarse silkscreen. A marked departure from the appearance of previous Serra editions, Composites are dynamic in their mottled surfaces and exploration of texture and saturation.

Richard Serra, Videy Afangar #8, 1991; Videy Afangar #2, 1991.
IN THE PROJECT SPACE
January 4, 2020February 1, 2020
Jasper Johns, 6 Lithographs (After 'Untitled 1975') 1976, 1976
IN THE PROJECT SPACE
6 Lithographs (After 'Untitled 1975')
December 6, 2019January 3, 2020
Ellsworth Kelly, Red Curve, 2006; Small Blue Curve, 2012.
IN THE PROJECT SPACE
September 19, 2019October 19, 2019
Claes Oldenburg, Thrown Ink Bottle with Fly and Dropped Quill, 1991; Rolling Collar and Tie, 1995; Picasso Cufflink, 1974; Soft Alphabet,1978; Sneaker Lace in Landscape-Gray,1991; Hard Times Bulb - Night, 1995; Hard Times Bulb - Day, 1995.
IN THE EAST GALLERY
September 19, 2019October 19, 2019
Claes Oldenburg, Notes, 1968, Geometric Mouse - Scale C, 1971
IN THE WEST GALLERY
May 16, 2019September 14, 2019

This exhibition spans fifty years of Claes Oldenburg's creative output, ranging from imagery precisely rendered and architecturally inspired to lyrical and freely drawn. Internationally known for his large-scale, site-specific sculptures made with Coosje van Bruggen (1942-2009), Oldenburg’s works on paper reveal how drawing is central to his creative process. Developing and reworking themes in various states, Oldenburg uses printmaking and editions as a way to explore themes of iteration, mechanical process, and object/body equivalents.

Pages