Ed Ruscha, Compass, 1990; Liberty, 2011; We the People, 2012; I Have Not Forgotten, 2007.
IN THE PROJECT SPACE
Selected Works
February 2, 2017March 18, 2017
Frank Gehry, Vuitton/Korea, 2016; House Study Detail C, 2016; Julie Mehretu, Untitled 1 (Amulets), 2016; Bruce Nauman, O, 2012; Susan Rothenberg, K, 2004; Ed Ruscha, We the People, 2012; Ann Hamilton, script , 2008.
IN THE PROJECT SPACE
Affordable Gifts for the Holidays on view through January 28
December 8, 2016January 28, 2017
Ellsworth Kelly, The Thames, 2005; The River, 2003; The Rhine, 2005; The Amazon, 2005; TheYangtze, 2005; The Seine, 2005.
IN THE EAST GALLERY
December 8, 2016January 28, 2017

 

Selected Works:

Analia Saban, Pocket Watch (One-Continuous Line), 2016; Blender (One-Continuous Line), 2016; Combo Television Unit, 2016.
IN THE EAST GALLERY
New Aquatints, Monotypes, and Paper Constructions
October 27, 2016December 3, 2016

Saban’s dynamic and compelling investigation of materials tests the limits of painting, sculpture, and printmaking in new and enterprising ways. In the summer of 2015, Saban approached her collaboration with the Gemini G.E.L. workshop by exploring a broad range of the workshop’s presses and printmaking techniques. As a result, one body of work is a series of five large, colorful etchings in which she takes ordinary objects as her inspiration, deconstructing and examining their various internal parts.

John Baldessari, Pyramid, 2016; Cube, 2016; Oval, 2016; Trapezoid, 2016
IN THE EAST GALLERY
Ann Hamilton, script i, 2008; shell, 2007; John Baldessari, Noses & Ears, Etc.: Face with Nose and (Green) Ear, 2006; Joel Shapiro, Boat, Bird, Mother and Child (f), 2009.
IN THE EAST GALLERY
July 7, 2016September 2, 2016
Richard Tuttle, The Inevitable Husband A, 2015; The Inevitable Husband B, 2015;The Inevitable Husband C, 2015; Richard Serra, Elevational Weight IV, 2016; Elevational Weight II, 2016; Elevational Weight I, 2016; Elevational Weight VI, 2016
IN THE EAST GALLERY
John Baldessari, Michael Heizer, Julie Mehretu, Ed Ruscha, Richard Serra, Richard Tuttle
May 5, 2016June 30, 2016
Susan Rothenberg, Group, 2003; 17 Heads, 2003; Bruce Nauman, Soft Ground Etching - Yellow, 2007; Soft Ground Etching - Coral, 2007; Susan Rothenberg, Slip, 2003
IN THE EAST GALLERY
Bruce Nauman & Susan Rothenberg at Gemini G.E.L.
March 2, 2016April 30, 2016

On view from March 2 through April 30, 2016, Gemini G.E.L. at Joni Moisant Weyl is pleased to present a partial survey of prints and sculptures created independently by Nauman and Rothenberg but in collaboration with the Gemini G.E.L. workshop dating back to the 1980s. Both artists have, at times, isolated body parts – hands, heads, arms, mouths – but often to very different effects. Interestingly, in their projects with the Gemini G.E.L. workshop in Los Angeles, particularly those after the two became a couple in the 1980s, a significant visual connection can be perceived.

Frank Stella, Black Series II, 1967; Copper Series, 1970
IN THE EAST GALLERY
October 28, 2015February 27, 2016
Robert Rauschenberg, Spackle, 1990; Wash, 2001; Gossip (Marrakitch), 2000
IN THE PROJECT SPACE
On View through February 2016
October 28, 2015February 27, 2016
Bruce Nauman, Partial Truth; Bruce Nauman, Partial Truth; Ann Hamilton, script i; Ann Hamilton, script; Ann Hamilton, script p; Ann Hamilton, score; Franz West, Honeymoon; Allen Ruppersberg, Great Speckled Bird
IN THE EAST GALLERY
September 17, 2015October 24, 2015
Isamu Noguchi, Goddess, 1983; Jasper Johns, Four Panels From Untitled 1972, 1974;  Isamu Noguchi, Lady Mirror, 1983; Ann Hamilton, warp & weft II, 2007; Franz West, Honeymoon, 2012
IN THE EAST GALLERY
Selections from Five Decades of Gemini G.E.L. Biennale Artists
June 4, 2015September 12, 2015

An invitation to present one’s work at the Venice Biennale is a pivotal moment in any artists’ career, whether established or aspiring. At the 1964 Biennale, Robert Rauschenberg was awarded the Grand Prize; the Biennale’s recognition of Rauschenberg, then 38 years old and still the youngest artist so-honored to date, has been credited with introducing Pop Art to the artistic canon. Shortly after receiving the award, Rauschenberg came to Los Angeles and published his first of many Gemini prints.

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