Julie Mehretu, Myriads, Only By Dark, 2014; Richard Serra, Double Rift V, 2014; Robert Rauschenberg, Borealis Shares II, 1990; Allen Ruppersberg, Great Speckled Bird, 2013; Isamu Noguchi, Mountains Forming, 1982
IN THE WEST GALLERY
Jonathan Borofsky, Julie Mehretu, Isamu Noguchi, Allen Ruppersberg, Robert Rauschenberg & Richard Serra
February 2, 2017April 30, 2017

Gemini G.E.L. at Joni Moisant Weyl is pleased to announce the gallery’s expansion to include the entire third floorof our Chelsea location. Now in our thirty-third year of exhibiting and representing the fine art editioned publications of the Los Angeles-based artists’ workshop, Gemini G.E.L., the gallery is adding an exhibition space devoted to long-term rotating presentations of large-scale works. Gemini G.E.L.

Tacita Dean, LA Exuberance 1 - 12, 2016
IN THE EAST GALLERY
Ed Ruscha, Compass, 1990; Liberty, 2011; We the People, 2012; I Have Not Forgotten, 2007.
IN THE PROJECT SPACE
Selected Works
February 2, 2017March 18, 2017
Frank Gehry, Vuitton/Korea, 2016; House Study Detail C, 2016; Julie Mehretu, Untitled 1 (Amulets), 2016; Bruce Nauman, O, 2012; Susan Rothenberg, K, 2004; Ed Ruscha, We the People, 2012; Ann Hamilton, script , 2008.
IN THE PROJECT SPACE
Affordable Gifts for the Holidays on view through January 28
December 8, 2016January 28, 2017
Ellsworth Kelly, The Thames, 2005; The River, 2003; The Rhine, 2005; The Amazon, 2005; TheYangtze, 2005; The Seine, 2005.
IN THE EAST GALLERY
December 8, 2016January 28, 2017

 

Selected Works:

Analia Saban, Pocket Watch (One-Continuous Line), 2016; Blender (One-Continuous Line), 2016; Combo Television Unit, 2016.
IN THE EAST GALLERY
New Aquatints, Monotypes, and Paper Constructions
October 27, 2016December 3, 2016

Saban’s dynamic and compelling investigation of materials tests the limits of painting, sculpture, and printmaking in new and enterprising ways. In the summer of 2015, Saban approached her collaboration with the Gemini G.E.L. workshop by exploring a broad range of the workshop’s presses and printmaking techniques. As a result, one body of work is a series of five large, colorful etchings in which she takes ordinary objects as her inspiration, deconstructing and examining their various internal parts.

John Baldessari, Pyramid, 2016; Cube, 2016; Oval, 2016; Trapezoid, 2016
IN THE EAST GALLERY
Ann Hamilton, script i, 2008; shell, 2007; John Baldessari, Noses & Ears, Etc.: Face with Nose and (Green) Ear, 2006; Joel Shapiro, Boat, Bird, Mother and Child (f), 2009.
IN THE EAST GALLERY
July 7, 2016September 2, 2016
Richard Tuttle, The Inevitable Husband A, 2015; The Inevitable Husband B, 2015;The Inevitable Husband C, 2015; Richard Serra, Elevational Weight IV, 2016; Elevational Weight II, 2016; Elevational Weight I, 2016; Elevational Weight VI, 2016
IN THE EAST GALLERY
John Baldessari, Michael Heizer, Julie Mehretu, Ed Ruscha, Richard Serra, Richard Tuttle
May 5, 2016June 30, 2016
Susan Rothenberg, Group, 2003; 17 Heads, 2003; Bruce Nauman, Soft Ground Etching - Yellow, 2007; Soft Ground Etching - Coral, 2007; Susan Rothenberg, Slip, 2003
IN THE EAST GALLERY
Bruce Nauman & Susan Rothenberg at Gemini G.E.L.
March 2, 2016April 30, 2016

On view from March 2 through April 30, 2016, Gemini G.E.L. at Joni Moisant Weyl is pleased to present a partial survey of prints and sculptures created independently by Nauman and Rothenberg but in collaboration with the Gemini G.E.L. workshop dating back to the 1980s. Both artists have, at times, isolated body parts – hands, heads, arms, mouths – but often to very different effects. Interestingly, in their projects with the Gemini G.E.L. workshop in Los Angeles, particularly those after the two became a couple in the 1980s, a significant visual connection can be perceived.

Frank Stella, Black Series II, 1967; Copper Series, 1970
IN THE EAST GALLERY
October 28, 2015February 27, 2016
Robert Rauschenberg, Spackle, 1990; Wash, 2001; Gossip (Marrakitch), 2000
IN THE PROJECT SPACE
On View through February 2016
October 28, 2015February 27, 2016

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