Richard Tuttle, Nature Media/V, 2014; "For John Altoon", 2011; Looking for Love III, 2015
IN THE PROJECT SPACE
February 9, 2019March 16, 2019
John Baldessari, BEST MEN, 2018; ADAM WASN'T INTO IT, 2018; AND ONE SARDINE, 2018; BOSS, 2018; TRUFFLE BUTTER, 2018; YOGURT, 2018.
IN THE EAST GALLERY
Nine new screenprints
November 5, 2018January 5, 2019

Gemini G.E.L. at Joni Moisant Weyl is pleased to present nine new screenprints by John Baldessari titled Emoji Series, on view from November 8th through January 5th. Language and communication through imagery is a longtime interest for Baldessari, as he focuses our attention on the disjunction between image, words, and their conventional meanings and usages. Emojis, small icons increasingly used as a form of electronic communication, are predominantly used in everyday digital speech by millennials.

Richard Serra, Double Rift V, 2014; Equal I, 2018; Equal II, 2018; Equal III, 2018.
IN THE WEST GALLERY
September 22, 2018November 3, 2018

Equals is a series of eight “wall-hangings” comprised of two sheets of handmade paper covered edge-to-edge with multiple layers of Paintstik and mounted directly to the wall with an invisible cleat system. Serra’s prints have always had a vital, integral relationship to his 3-dimensional work, as he will typically spend many hours sketching in the presence of his installed sculptures, and his close observations of them inform his larger-scale works on paper.

Analia Saban, Wooden Floor on Wood (One-Point Perspective), 2017; Wooden Floor on Wood (Vertical), 2017; Wooden Floor on Wood (Horizontal), 2017.
IN THE PROJECT SPACE
September 22, 2018November 3, 2018
Ann Hamilton, Ann Hamilton, Peregrine Falcon (Sepia), 2017, Pigeon Guillemot, 2017, visite vi, 2009; John Baldessari, Hands & Feet: Hands, Baseball & Glove, 2017, Hands & Feet: Hands & Purse, 2017
IN THE WEST GALLERY
Selected works by John Baldessari, Jonathan Borofsky, Sophie Calle, Ann Hamilton, David Hammons, Bruce Nauman, Robert Rauschenberg, Man Ray, Ed Ruscha, Richard Serra
May 9, 2018September 15, 2018

Gemini G.E.L. at Joni Moisant Weyl is pleased to announce a summer-long exhibition titled “Photographic Impressions.” While conceived and installed as a single presentation, the exhibition includes two distinct components: photographs taken by Sidney B. Felsen, the co-founder of Gemini G.E.L., complimented by an exhibition of limited editions printed and published by Gemini that have photography as their predominant element.

Sidney B. Felsen, Photographic Impressions (installation view)
IN THE EAST GALLERY
Featuring Photographs by Sidney B. Felsen
May 9, 2018September 15, 2018

Gemini G.E.L. at Joni Moisant Weyl is pleased to announce a summer-long exhibition titled “Photographic Impressions.” While conceived and installed as a single presentation, the exhibition includes two distinct components: photographs taken by Sidney B. Felsen, the co-founder of Gemini G.E.L., complimented by an exhibition of limited editions printed and published by Gemini that have photography as their predominant element.

The Jazz Bakery, a non-profit performance space
September 13, 2018

The Jazz Bakery and Gemini G.E.L. are pleased to announce three new editions by JOHN BALDESSARI, FRANK GEHRY, and ED RUSCHA.

100% of proceeds from the sales of 50 impressions of each print will benefit The Jazz Bakery to support their exciting transition to the Moss Theater.

 

Ann Hamilton, shell, 2007, ciliary, 2010; Richard Tuttle, "For Case Hudson, Printer", 2013, "Pacific Seriously", 2012
IN THE EAST GALLERY
A History of Fabric at Gemini G.E.L.
March 15, 2018April 28, 2018

That relation between the thread and the written line and the drawn line is about a really fundamental act of making, that the relation of the line that makes something is related to how we make things with language. -Ann Hamilton

Art is a creation for the eye and can only be hinted at with words. –John Baldessari

Sophie Calle, The Address Book, 2009; Robert Rauschenberg, American Pewter with Burroughs I & II, 1981
IN THE WEST GALLERY
John Baldessari, Sophie Calle, Robert Rauschenberg, Allen Ruppersberg
March 15, 2018April 28, 2018

Gemini G.E.L. at Joni Moisant Weyl is pleased to announce two concurrent exhibitions in our Chelsea gallery that highlight the relationship between text and textiles: Warp & Weft: A History of Fabric at Gemini G.E.L., featuring artists who use various forms of cloth in their editions; and We are the language, presenting a range of prints and sculpture multiples that feature the written word.

Jasper Johns, Fragment-According to What-Bent "U", 1971, Fragment-According to What-Bent Stencil, 1971, Fragment-According to What-Hinged Canvas, 1971
IN THE PROJECT SPACE
Fragment – According to What, 1971, The Complete Series
March 15, 2018April 28, 2018

On view in the Project Space, we are very pleased to present the complete set of Jasper Johns’ Fragment—According to What, his seminal series from 1971. Consistently examining fragmentation and the relationship of the part to the whole, in this series Johns breaks apart one of his own paintings—According to What from 1964. Throughout his career, Johns uses his paintings as source materials for his visual language, self-referencing and repeating elements again and again.

Alalia Saban:  Where We Start From, 2018
IN THE EAST GALLERY
Where We Start From
January 5, 2018March 10, 2018

Gemini G.E.L. is pleased to announce its second collaboration with Los Angeles-based artist Analia Saban. Analia Saban - Where We Start From is on view through March 10th, and features four different and inventive series utilizing a wide range of techniques. From etching and embossing, to linen canvas bags filled with paint, Saban’s work disrupts standard printmaking practices, and in the process rejuvenates a medium long steeped in technical traditions.

Pacific Seriously, 2018 (installation view)
IN THE WEST GALLERY
January 5, 2018March 10, 2018

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