A Tribute to Robert Rauschenberg is a survey exhibition divided into two parts. Part One: Prints, on view October 23 through December 6, 2008, highlights his print series, from the first Booster and 7 Studies (1967) through his last, the Marrakitch suite of 2000. Part Two: Objects, on view December 13, 2008 through February 7, 2009, focuses on works other than 2-dimensional prints, all created in collaboration with the Gemini G.E.L. workshop.
September 12, 2008 – October 18, 2008
The Private Eye of Philip Guston: The Gemini Editions
May 14, 2008 – July 11, 2008
Shortly before his death in June 1980, Philip Guston collaborated with the renowned print studio, Gemini G.E.L., on a suite of twenty-five lithographs. These prints perfectly manifest the bold, figurative style of Guston's late work, which had sent shockwaves through the art world in 1970 as a radical departure from his trademark abstract expressionism.
Prints and Ceramics 1970 - 2005
March 22, 2008 – May 10, 2008
Gemini G.E.L. at Joni Moisant Weyl is pleased to present an exhibition of the prints and ceramic multiples Ken Pricecreated at the Los Angeles artists' workshop, Gemini G.E.L , beginning with his first collaboration in 1970 to his latest in 2005. Known for his brightly-colored ceramic cups, bowls, biomorphic sculptures and drawings, the Gemini editions offer an exceptional indication of the breadth of Ken Price's career. The exhibition will feature a selection of screenprints as well as the artist's signature cups and more recent ceramic multiples.
Gehry: New Lithographs | Ruscha: Cityscapes
February 1, 2008 – March 19, 2008
Frank Gehry
New Lithographs
October 25, 2007 – December 8, 2007
Ellsworth Kelly has developed a new interest—astronomy. Long-time friend Sidney Felsen purchased a telescope and presented it to the artist for his 84th birthday, celebrated at his home in Spencertown, New York. Perhaps that's what separates artists from the rest of us—a curiosity that continues to inspire, a willingness to explore, and a capacity to learn that doesn't diminish with age. Kelly's recent projects, created at Gemini G.E.L. in Los Angeles and known collectively as The Rivers, are the lithographic embodiment of this inquisitiveness.
"Soft Ground Etchings" and "Infrared Outtakes"
September 6, 2007 – October 20, 2007
One of the most versatile and influential contemporary artists, Bruce Nauman moves effortlessly between sculpture, video, film, sound installation, drawing, and printmaking. Since the 1960's, he has experimented with emerging technology, including video, holography, neon, infrared film, as well as a wide range of printmaking techniques. His two recent series published by the Los Angeles-based artists workshop, Gemini G.E.L., Soft Ground Etchings and Infrared Outtakes, find their source in early photographs taken on infrared film.
"Between the Torus and Sphere" and "Paths and Edges"
May 31, 2007 – July 13, 2007
At 67, Richard Serra is at the top of his game. With the permanent installation of 8 massive steel sculptures in Spain at the Guggenheim Museum in Bilbao, numerous public and private commissions, and an upcoming retrospective at the Museum of Modern Art, New York, his chapter in the annals of art history is guaranteed. In addition to being a sculptor, Serra has been making prints at Gemini G.E.L. in Los Angeles for over thirty years.
March 29, 2007 – May 12, 2007
Baldessari, Borofsky, Brown, Celmins, Gober, Hamilton, Johns, Kelly, Lichtenstein, Morley, Murray, Nauman, Oldenburg, Price, Rauschenberg, Rosenquist, Rothenberg, Serra
February 16, 2007 – March 17, 2007
Iam delighted to announce the relocation of our gallery to
the fifth floor of the magnificent 1949 Parke-Bernet Galleries Building at 980 Madison Avenue, which The New York Times recently noted was once the “Grand Central Terminal of the art world.”
To the art community, this stunning, modernist structure by Walker & Poor, with its iconic Wheeler Williams sculpture over the majestic entrance, is a truly historic and familiar site. We are very pleased and proud to now be able to attach our name to it as well.
