Richard Serra has once again established new boundaries for printmakers with Arc of theCurve, 13 new etchings created at Gemini G.E.L. The prints range in size from large (47x 35 inches) to immense (90 x 96 inches), and echo Serra’s sculptures in their scale andmonumentality. Selections from this body of work are on view concurrently at the Danesegallery (41 East 57th Street) and Gemini G.E.L. at Joni Moisant Weyl, from January 13—February 12, 2004.
Summer 2005
June 1, 2005 – August 31, 2005
April 1, 2005 – April 30, 2005
(in cooperation with Danese)
January 12, 2005 – March 26, 2005
September 18, 2003 – October 22, 2003
We are pleased to announce the publication of seventeen solid-silver sculptures and seven prints by Susan Rothenberg. This is Rothenberg's first project with Gemini since her six prints published in 1986. The sculpture began with Rothenberg's experimentation with clay found on her ranch in New Mexico. She formed the seventeen small heads out of clay and then, out of her desire to preserve them, she approached Gemini about casting them.
June 1, 2003 – September 30, 2003
Born in England, Malcolm Morley grew up during the air raids of World War II, and as a child he had a keen interest in model airplanes. The Gemini prints and sculptures are a continuation of Morley's fascination with the ready-made, such as postcards, calendars, and posters. A realist, a colorist, a Pop-artist- all these terms apply to Morley, and this body of work encompasses all of these aesthetic endeavors.
Masterworks from the Unforgettable Years, 1967 - 1974
February 1, 2003 – June 30, 2003
November 1, 2001 – January 31, 2002
Gemini G.E.L. is pleased to announce the publication of 3 new collaged lithograph/screenprints by Elizabeth Murray. This is Murray's fifth collaboration since 1993 with the Gemini workshop, and continues her interest in making 3-dimensional works on paper.
Seven New Prints
February 1, 2001 – May 1, 2001
The seven new prints published by Gemini G.E.L. in early 2001 were started during a week-long visit to the workshop in Los Angeles in February 1999. Brice Marden had been invited to create a special edition for a local museum, and from that initial image, the Gemini project developed. Marden created three etching plates and fourteen lithography plates, and combined them in different ways to make seven related but visually distinct works.
